Game Review: Sleaford Mods' Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era
Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
